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Item: 296364356357
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Item must be returned within:30 Days
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Artist:P16.D4
Speed:33 RPM
Record Label:Sonoris
Release Title:Kühe in 1/2 Trauer
Type:LP
Format:Phonographic LP Record
Record Grading:Mint (M)
Sleeve Grading:Mint (M)
Release Year:2022
Record Size:12″
Features:Brand New/Unplayed Item,Limited Edition
Genre:Musique Concrete, Noise, Experimental
P16.D4 ‘Kühe in 1/2 Trauer’ LP (France, Sonoris, Catalogue #SNS-22LP) Brand new/unplayed copy of year 2022 Sonoris label limited edition LP reissue of scarce, top-level dark experimental sound LP entitled Kühe in 1/2 Trauer (originally issued in 1984 in Germany on the Selektion label) by German collective P16.D4. Exceptionally compelling dark/grim soundscapes from the German experimental music underground. For fans of Swimming Behavior Of The Human Infant/S.B.O.T.H.I./Achim Wollscheid, RLW/Ralf Wehowsky (and other Selektion label artists), H.N.A.S. (Hirsche Nicht Aufs Sofa), Nurse With Would (of course) and, last but not least, the surrealist musique concrete sound art masterpieces of Schimpfluch, Tochnit Aleph (and Zabriskie Point) label(s) artist G*Park. (NOTE: ALL RECORDS ARE PACKED AND SHIPPED IN PROFESSIONAL, SUPERIOR QUALITY RECTANGULAR SHAPED, CORNER PROTECTING CORRUGATED CARDBOARD RECORD MAILERS WITH FILLER PADS. SATISFACTION GUARANTEED!) (NOTE: BRAND NEW/FACTORY SEALED ITEM!) NOTE: LIMITED VINYL EDITION!) P16.D4 was a German electronic noise music collective, active primarily from 1980 to 1988. P16.D4 embraced tape cut-ups, musique concrète, endless recycling, and transformation of previously published material, and many long-distance collaborations with like-minded artists such as DDAA, Vortex Campaign, Nurse With Wound, and Merzbow. Their active participation in the international industrial tape scene yielded collaborative output such as their release Distruct, where bands such as Nurse with Wound, Nocturnal Emissions, Die Tödliche Doris, and The Haters provided the source material. The longest-term collaboration was with the installation and conceptual artist Achim Wollscheid, who used P16.D4 sounds as the basis for LPs he recorded under the name SBOTHI. Ralf Wehowsky, the only constant member of the group, later released solo material under the alias RLW. Members of P16.D4 were also involved with Selektion, a collective of people involved with sound as well as the visual arts. Selektion published LPs, CDs, books, visual art and design. The collective worked in a strongly improvised, spontaneous and anti-professional way, using acoustic and electronic instruments, using existing sound fragments, duplicating and alienating them, using repetition, distortion, changes in speed and playing direction. For this they used not only sounds of other artists but also their own material from earlier productions. Late works of the collective are associated with musique concrete.”This music is staggeringly original and innovative, and while it’s possible to locate it in a chain of circumstance that links it to ‘industrial’ music, P16.D4 indulged in none of the empty cliches associated with the genre, worked incredibly hard, and seem to have been aiming at a form of sound art that was much more profound, varied, subversive, and potentially dangerous. Kühe In 1/2 Trauer’s accompanying credits indicate their radical approach to making music: lots of improvisation, lots of live electronics, extensive use of tape-loops, some conventional instrumentation, and much that isn’t — like the milk churn on ‘Paris, Morgue’ or the use of baking tray and washing machine elsewhere. Even when guitars, drums or keyboards are used, they’re played very weirdly. It’s not even made clear who was doing what; the main credit is ‘Concept,’ which I assume means that one of the three devised the framework in which the noise would operate itself, and while RLW gets the lion’s share of these credits, a lot of the cuts are evenly divided among the team and I have no doubt that the group operated in a very democratic or libertarian manner. None of this prepares you for the insane and troubling sounds that reach your ears, composed with scant regard for conventional logic and following an exciting, absurdist path, especially in the matter of tape edits and juxtapositions of recordings.” –Ed Pinsent, The Sound ProjectorTracks on this LP are as follows:A1Kühe In 1/2 Trauer6:21A2Paris, Morgue3:19A3Anselm Weinbergs Flucht In Den Odenwald5:33A4Rückplötzlich (Scheitze)2:48A5Hammer/Zange/Hebel3:00B1Default Value: Störeingabe3:48B25/4/3/2/1/Wand1:11B3Ekstase Des Sozialismus5:13B4He’s Afraid Of The Way The Glass Will Fall – Soon – It Will Be A Spectacle: The Fall Of A Crystal Palace. But Coming Down In Total Blackout, Without One Glint Of Light, Only Great Invisible Crashing6:39B5Dumpfes Begleitegfühl4:05 Shipping rates to the following locations at this present time (note: all shipping rates are subject to change.) Shipping in US (including ALASKA & HAWAII), PUERTO RICO (MEDIA MAIL) is $6.98. Shipping to CANADA (AIRMAIL) is $19.98. Shipping to MEXICO (AIRMAIL) is $23.98. Shipping to UK, EUROPE, RUSSIA, ASIA, GREECE, ISRAEL, TURKEY, CHINA, JAPAN, KOREA, AUSTRALIA, NEW ZEALAND, SOUTH SANDWICH ISLANDS, ETC. (AIRMAIL) is $23.98. Shipping to BRAZIL (AIRMAIL) is $23.98. Shipping totals will be consolidated for multiple orders/winning bids. Record shipped in professional, superior rectangular shaped, corner-protecting corrugated cardboard record mailer with filler pads. Satisfaction guaranteed! —————————————————————————————————————- HOW WE SHIP RECORDS (AND OTHER ITEMS) TO YOU: With the exception of a few odd-sized items, ALL LPs are packaged for shipment and sent to you in PROFESSIONAL QUALITY, SUPERIOR RECTANGULAR SHAPED, CORNER-PROTECTING CORRUGATED CARDBOARD RECORD MAILERS WITH FILLER PADS. SATISFACTION GUARANTEED! We are record collectors here, too, and we pledge to package your records (or any other item) in a way in which we would like to have records/other items packaged, sent to us and received by us as well. When packaging up records that are non-factory sealed items (as is standard for many import releases) or are open “used” items for shipment, we remove the LP and inner-sleeve from the album cover and place them on the outside of the cover to protect the cover from being subjected to any potential seam-splitting during transit. When packaging up factory sealed records for shipment, we leave the item sealed, intact, as is. HOWEVER. If a customer REQUESTS that we unseal a factory sealed record to send with the LP and inner sleeve on the outside of the cover (to protect the cover from any potential seam-splitting during transit) we will do so. Please be sure to make this request of unsealing your record for shipment if that is your packaging preference. When packaging up non-factory sealed items (or factory sealed items that have been unsealed at the buyer’s request) that have custom company or other manner of printed inner-sleeves, we remove the record from those printed inner sleeves (returning the printed inner sleeves back into the album cover) and place them inside brand new, generic white paper inner sleeves, which are then placed on the outside of the album cover to protect both the album cover AND the original printed inner sleeves from being subjected to any potential seam splitting during transit. We do this for all new AND used items that are in our stock. All LPs, be they new or used, are sheathed inside of new, protective plastic outer sleeves (with the exceptions of space or weight limitations that may occur with packaging your items – such exceptions will take place when they allow for a lower cost of shipping charged for your total order.) We go the extra mile to protect and preserve your items, folks! With but a few exceptions (odd size combined orders or other package configurations and considerations…) All 12″ records are sent to you packaged in quality 15″ x 1″ x 13″ rectangular shaped corrugated cardboard LP mailers. All 10″ records are sent to you packaged in quality 13″ x 1″ x 13″ square shaped corrugated cardboard LP mailers. All 7″ records are sent to you packaged in quality 8″ x 1″ x 8″ square shaped corrugated cardboard 7″ record mailers. All Compact Discs are sent to you packaged in quality 7″ x 1″ x 5″ rectangular shaped cardboard CD mailers. All Cassettes are sent to you packaged in quality 5 1/2″ x 1″ x 3″ rectangular shaped cardboard Cassette mailers (Note: Cassettes sent to international addresses will be packaged in a larger box of some appropriate size configuration to accommodate the size and application of mailing/customs labels sent to international addresses.) All Cassettes and CDs or records that come packaged in odd-sized or odd-custom packaging are sent to you in quality corrugated cardboard boxes of various unspecified dimensions, with various sorts of interior padding (styrofoam peanuts, bubble wrap, cardboard filler pads, etc.) to protect and preserve your items. —————————————————————————————————————- If you have any questions about any items that we have in stock or anything else, please feel free to inquire with us at any time (we are at your service and will get back to you with answers to your questions as soon as possible.) —————————————————————————————————————- WE ARE GRATEFUL FOR ALL OF OUR CUSTOMERS (be they first time customers or our many repeat customers) and WE GREATLY APPRECIATE YOUR PATRONAGE! —————————————————————————————————————-
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